2016-11 November

by | Nov 11, 2016

2016-11 November

by | Nov 11, 2016

The stories I write are mainly set in Australia because it is a country with a culture and cities I know reasonably well. I’ve lived in various locations around the world, and draw on personal experience to create a sense of place for people and action. However, I’m aware that many of my readers are international, particularly American, so I strive to bring the Australian environment alive and make the culture accessible for all readers, without compromise.

As population grows larger, the world grows smaller by virtue of the internet, social media, and telecommunications. I like to drop in characters of differing origins and non-English-speaking backgrounds who might use another language in conversation throughout the story. That mix can be disconcerting, yet it reflects an Australia that is proud of its multicultural society which developed by dint of migrants who arrived from a dazzling array of countries over at least the last hundred years.

Those who once were ‘foreigners’ are now as Aussie as they come – part of the culture and landscape, which is all the richer for their presence – I make sure to include them.

Previous Writing Notes by Y.L. Wigman

2017-03 March

My second novel, Miligrane: Embracing the Sapphire, was released by Bella Books in Tallahassee, Florida on the 16th of February. How well it will be received, I won’t know until October. Meanwhile, I’m contemplating a third novel, knowing that much as the second is...

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2017-02 February

Writing is a solitary occupation that carries the inherent danger associated with it occurring in a vacuum. That is, a first draft can be thin in some places and positively cyanosed in others. The cure is oxygen in the shape of critical readers, preferably sharp-eyed,...

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2017-01 January

In the planning stage of a novel, well before I start writing, I spend a helluva lot of time creating the main characters, usually two women. For each, I create a document that details everything about her, from the obvious, such as physical looks, to the obtuse like...

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